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MUSEUM

·        Natural history museum
An explanation depository or depository of explanation may be a scientific establishment with explanation collections that embrace current and historical records of animals, plants, fungi, ecosystems, geology, fossilology, climatology, and more.
The primary role of an explanation depository is to supply the scientific community with current and historical specimens for his or her analysis, that is to enhance our understanding of the flora and fauna. Some museums have public exhibits to share the sweetness} and wonder of the wildlife with the public; these square measure mentioned as 'public museums'. Some museums feature non-natural history collections additionally to their primary collections, such as ones related to history, art, and science.
Renaissance cupboards of curiosities were personal collections that usually enclosed exotic specimens of explanation, sometimes faked, along with other types of object. The first natural history museum was possibly that of Swiss scholar Conrad Gessner, established in Zürich in the mid-16th century. The Muséum national Histoire Naturelle, established in Paris in 1635, was the primary explanation repository to require the shape that will be recognized as an explanation repository nowadays. Early natural history museums offered limited accessibility, as they were usually personal collections or holdings of scientific societies. The Ashmolean Museum, opened in 1683, was the first natural history museum to grant admission to the general public.
Organised by the League of states, the first International Museography Congress happened in Madrid in 1934.[4] Again, the First World Congress on the Preservation and Conservation of Natural History Collections took place in Madrid, from 10 May 1992 to 15 May 1992.
·        References
Antoni Arrizabalaga i Blanch, «Els museums d'història natural, biodiversity o informació: salvar què?», Lauro: the magazine of the Granollers repository of explanation, #4 (1992), pp. 60-62 (in Catalan)
Vincent H. Resh, Ring T. Cardé, Encyclopedia of Insects (2003), p. 771.
Andi Stein, alphabetic character Bingham Evans, Associate in Nursing Introduction to the show business (2009), p. 115.
International Museography Congress: The International repository Conference of 1934, in perspective (publisher: Real Academia de Bellas Artes de San Fernando)
Congress Book of the International conference and first World Congress on the Preservation and Conservation of clarification Collections = Simposio Internacional y Primer Congreso Mundial Sobre Preservación y Conservación Diamond State Colecciones Delaware Historia Natural, National Library of Australia, Catalogue
·        Classical antiquity
Aristotle (History of Animals) thinker (Historia Plantarum) Aelian (De Natura Animalium) Pliny the Elder (Natural History) Dioscorides (De Materia Medica)
·        Renaissance
Gaspard Bauhin (Pinax theatre botanist) Otto Brunfels Eusebius Sophronius Hieronymus bock beer Andrea Cesalpino Valerius Cordus Leonhart Klaus Fuchs Joseph Conrad Gessner (Historia animalium) Frederik Ruysch William Turner (Avium Praecipuarum, New Herball) John Gerard (Herball, or Generall Historie of Plantes)
·        Enlightenment
Robert Hooke (Micrographia) Malpighi Antonie van Leeuwenhoek William Derham Hans Sloane Jan Swammerdam Carl Carl von Linne (Systema Naturae) Georg Steller Joseph Banks Johan Christian Fabricius geologist John Ray (Historia Plantarum) philosopher Diamond State Buffon (Histoire Naturelle) Bernard Germain American state Lacépède Gilbert White (The explanation of Selborne) Thomas Bewick (A History of British Birds) Jean-Baptiste naturalist (Philosophie Zoologique)
·        19th century
George Ashley Montagu (Ornithological Dictionary) St. Georges Cuvier|Georges Leopold Chretien Frederic Dagobert Cuvier|naturalist|natural scientist} (Le Règne Animal) William Smith Charles Robert Darwin (On the Origin of Species) king Russel Wallace (The Malay Archipelago) Henry music director Bates (The Naturalist on the stream Amazons) Alexander von Humboldt John James ornithologist (The Birds of America) William Buckland Charles Lyell female parent Anning Jean-Henri Fabre Louis Agassiz Philip Henry Gosse phytologist William Jackson Hooker Joseph chemist Hooker William Jardine (The Naturalist's Library) Max Ernst Haeckel (Kunstformen der Natur) Richard Lydekker (The Royal Natural History)
·        20th century

Abbott Thayer (Concealing-Coloration within the Animal Kingdom) Hugh B. Cott (Adaptive Coloration in Animals) Niko Tinbergen (The Study of Instinct) Konrad Zacharias animal scientist (On Aggression) Karl von Frisch (The terpsichore Bees) Ronald Lockley (Shearwaters)
National Gallery

·        Introduction
The National Gallery is AN art deposit in a square within the town of the borough, in Central London. Founded in 1824, it homes a set of over two,300 paintings chemical analysis from the mid-13th century to 1900.
The Gallery is AN exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the most assortment is freed from charge. It is among the foremost visited art museums within the world, once the Louvre, Brits deposit, and the Metropolitan Museum of Art.
Unlike comparable museums in continental Europe, the National Gallery wasn't shaped by nationalizing associate existing royal or princely aggregation. It came into being once a people government bought thirty-eight paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which today account for two-thirds of the collection. the gathering is tiny compared with several European national galleries, however encyclopedic in scope; most major developments in Western painting "from Giotto to Cézanne"ar depicted with vital works. It wont to be claimed that this was one among the few national galleries that had all its works on permanent exhibition, however, this is often now not the case.
The present building, the third to deal with the National Gallery, was designed by William Wilkins from 1832 to 1838. Only the façade onto Trafalgar Square remains essentially unchanged from this time, as the building has been expanded piecemeal throughout its history. Wilkins's building was often criticized for the perceived weaknesses of its design and for its lack of space; the latter problem led to the establishment of the Tate Gallery for British art in 1897.
The Sainsbury Wing, AN extension to the west by Venturi and Denise Scott Brown, could be a notable example of genre design in GB. The current Director of the National Gallery is Gabriele Finaldi.
·        History
·        Call for a National Gallery
The late eighteenth century saw the nationalization of royal or princely art collections across earth Europe. The province royal assortment (now within the Alte Pinakothek, Munich) opened to the general public in 1779, that of the Medici in Florence around 1789 (as the Uffizi Gallery), and the deposit Français at the Louvre was shaped out of the previous French royal assortment in 1793. Great Britain, however, did not emulate the continental model, and the British Royal Collection remains in the sovereign's possession today. In 1777 Brits government had the chance to shop for AN assemblage of international stature, once the descendants of Sir statesman place his assortment up available. The MP John Wilkes argued for the govt. to shop for this "invaluable treasure" and prompt that it's housed in "a noble gallery... to be inbuilt the spacious garden of the British Museum" Nothing came of Wilkes's appeal and 20 years later the collection was bought in its entirety by Catherine the Great; it is now to be found within the State home deposit in St siege.
A plan to amass a hundred and fifty paintings from the Orléans assortment, that had been delivered to London available in 1798, conjointly failing, despite the interest of each the King and the Prime Minister, Pitt the Younger. The twenty-five paintings from that collection now in the Gallery, including "NG1", arrived later by a variety of routes. In 1799 the dealer Noel Desenfans offered a ready-made national collection to the British government; he and his partner Sir Francis Bourgeois had assembled it for the king of Poland, before the Third Partition in 1795 abolished Polish independence.This offer was declined and Bourgeois bequeathed the collection to his old school, Dulwich College, on his death. The collection opened in 1814 in Britain's 1st purpose-made public gallery, the Dulwich room. The Scottish dealer William Buchanan and therefore the collector Joseph Count Truchsess, each shaped art assortments expressly because the basis for a future national collection, however their individual offers (both made in 1803) were also declined.
Following the Walpole sale several artists, as well as James Barry and John Flaxman, had made renewed calls for the establishment of a National Gallery, arguing that a British school of painting could solely flourish if it had access to the canon of European painting. The British establishment, based in 1805 by a gaggle of blue connoisseurs, tried to handle this example. The members Lent works to exhibitions that modified annually, whereas AN conservatoire was command within the summer months. However, because the paintings that were Lent were typically mediocre, some artists resented the Institution and saw it as a racket for the gentry to increase the sale prices of their master paintings. one amongst the Institution's creation members, Sir George Beaumont, Bt, would eventually play a major role in the National Gallery's foundation by offering a gift of 16 paintings.
In 1823 another major aggregation came on the market, that had been assembled by the recently deceased John Julius Angerstein. Angerstein was a Russian-born outgoer banker primarily based in London; his assortment numbered thirty-eight paintings, including works by Raphael and Hogarth's Marriage à-la-mode series. On one July 1823 St. George Agar Ellis, a Whig politician, proposed to the House of Commons that it purchase the collection. The appeal was given added impetus by Beaumont's offer, that came with 2 conditions: that the govt get Angerstein's assortment, and that a suitable building was to be found. The surprising reimbursement of a war debt by the Republic of Austria finally affected the govt to shop for Angerstein's assortment, for £57,000.
·        Foundation and early history
The National Gallery opened to the general public on ten might 1824, housed in Angerstein's former townhouse at No. 100 Pall Mall. Angerstein's paintings were joined in 1826 by those from Beaumont's assortment, and in 1831 by the Reverend William Holwell Carr's gift of thirty-five paintings.
Metropolitan Museum of Art

Ø introduction of Metropolitan Museum of Art
The Metropolitan repository of Art of recent royal line town, informally "the Met",[a] is that the largest art repository within u. s.. With 6,953,927 guests to its 3 locations in 2018, it had been the third most visited art repository within the world. Its permanent assortment contains over 2 million works, divided among seventeen curatorial departments. The main building, on the jap fringe of Central Park on repository Mile in Manhattan's higher side, is by space one among the world's largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in higher Manhattan, contains an extensive collection of art, architecture, and artifacts from Medieval Europe. On March eighteen, 2016, the depository opened the Met Breuer depository at Madison Avenue on the higher East Side; it extends the museum's trendy and up to date art program.
The permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern art. The Met maintains intensive holdings of African, Asian, Oceanian, Byzantine, and Muslim art. The repository is home to encyclopedic collections of musical instruments, costumes, and accessories, as well as antique weapons and armor from around the world. Several notable interiors, starting from 1st-century Rome through trendy yankee style, are installed in its galleries.
The Metropolitan repository of Art was based in 1870 for the needs of gap a repository to bring art and art education to the yankee folks. It opened on February twenty, 1872, and was originally situated at 681 avenue.
Ø History
The the big apple State general assembly granted the Metropolitan repository of Art Associate in Nursing Act of Incorporation on Apr thirteen, 1870 "for the aim of building and maintaining in aforementioned town a Museum and Library of Art, of encouraging and developing the Study of the Fine Arts, and therefore the application of Art to manufacture and natural life, of advancing the overall information of kindred subjects, and to that end of furnishing popular instruction and recreations".This legislation was supplemented later by the 1893 Act, Chapter 476, which required that its collections "shall be unbroken open and accessible to the general public freed from all charge throughout the year."[80] The founders included businessmen and financiers, as well as leading artists and thinkers of the day, World Health Organization wished to open a repository to bring art and art education to the Yankee folks.
Ø Architecture
After negotiations with the City of New York in 1871, the Met was granted the land between the East Park Drive, Fifth Avenue, and the 79th and 85th Street Transverse Roads in Central Park. A red-brick and stone "mausoleum" was designed by Yankee creator Calvert Vaux and his collaborator Jacob Wrey Mould. Vaux's formidable building wasn't well received; the building's High Victorian Gothic vogue being thought of already dated before completion, and the president of the Met termed the project "a mistake".
Ø Management
Ø Governance
Although the City of New York owns the museum building and contributes utilities, heat, and some of the cost of guardianship, the collections are owned by a private corporation of fellows and benefactors which totals about 950 persons. The museum is governed by a board of trustees of 41 elected members, several officials of the City of New York, and persons honored as trustees by the museum. The current chairman of the board, Daniel Brodsky was elected in 2011. Other notable trustees include Anna Wintour, Richard Chilton, Candace Beinecke, Alejandro Santo Domingo as well as Mayor Bill de Blasio and his appointee Ken Sunshine. On March 10, 2015, the board of trustees chose Daniel Weiss, then president of Haverford College, to be the current president and chief operational officer of the Met, replacing Emily K. Rafferty, World Health Organization served in this role for a decade
Ø Acquisitions and deaccessioning
The Metropolitan Museum of Art spent $39 million to acquire art for the fiscal year ending in June 2012. At the same time, the museum is required to list in its annual report the whole money income from art sales annually and to itemize any deaccessioned objects valued at quite $50,000 each. It must also sell those pieces at auction and provide advance public notice of a work being sold if it has been on view in the last ten years. These rules were obligatory by the big apple prosecutor General in 1972.
During the Seventies, under the directorship of Thomas Hoving, the Met revised its deaccessioning policy. Under the new policy, the Met set its sights on acquiring "world-class" pieces, regularly funding the purchases by selling mid- to high-value items from its collection. Though the Met had always sold duplicate or minor items from its collection to fund the acquisition of new pieces, the Met's new policy was significantly more aggressive and wide-ranging than before and allowed the deaccessioning of things with higher values which might unremarkably have precluded their sale. The new policy provoked a great deal of criticism (in particular, from The New York Times) but had its intended effect.

Many of the things then purchased with funds generated by the a lot of liberal deaccessioning policy ar currently thought of the "stars" of the Met's assortment, together with Diego Velázquez's Portrait of Juan de Pareja and the Euphronios krater depicting the death of Sarpedon (which has since been repatriated to the Republic of Italy). In the years since the Met began its new deaccessioning policy, other museums have begun to emulate it with aggressive deaccessioning programs of their own. The Met has continued the policy in recent years, selling such valuable pieces as Edward Steichen's 1904 photograph The Pond-Moonlight (of which another copy was already in the Met's collection) for a record price of $2.9 million.
Museum of Modern Art

·       introduction of Museum of Modern Art
The deposit of recent Art (MoMA) is Associate in Nursing art deposit placed in Midtown Manhattan, big apple town, on 53rd Street between Fifth and Sixth Avenues.
MoMA plays a major role in developing and collecting modernist art, and is often identified as one of the largest and most influential museums of modern art in the world.MoMA's collection offers an overview of modern and contemporary art, including works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated books and artist's books, film, and electronic media.
The MoMA Library includes more or less three hundred,000 books and exhibition catalogs, over 1,000 periodical titles, and over 40,000 files of ephemera about individual artists and groups.The archives holds primary source material associated with the history of recent} and contemporary art.
·       History
·        Heckscher and other buildings (1929–39)
The idea for the deposit of recent Art was developed in 1929 primarily by Abby Aldrich John Davison Rockefeller (wife of John D. Rockefeller, Jr.) and 2 of her friends, Lillie P. Bliss and female parent Quinn Sullivan. They became far-famed diversely as "the Ladies", "the daring ladies" and "the adamantine ladies". They rented modest quarters for the new deposit within the Heckscher Building at 730 avenue (corner of avenue and 57th Street) in Manhattan, and it opened to the public on November seven, 1929, 9 days when the Wall Street Crash. Abby had invited A. Conger discoverer, the previous president of the board of trustees of the Albright gallery in Buffalo, New York, to become president of the new museum. Abby became treasurer. At the time, it was America's premier museum devoted exclusively to modern art, and the first of its kind in Manhattan to exhibit European modernism.One of Abby's early recruits for the deposit workers was the noted Japanese-American lensman Soichi Sunami (at that point best far-famed for his portraits of recent dance pioneer Martha Graham), UN agency served the deposit as its official documentary lensman from 1930 till 1968
·       Artworks
Considered by several to own the simplest assortment of recent Western masterpieces within the world, MoMA's holdings include more than 150,000 individual pieces in addition to approximately 22,000 films and 4 million film stills. (Access to the gathering of film stills led to 2002, and therefore the assortment is mothballed in an exceedingly vault in Hamlin, Pennsylvania. The collection houses such important and familiar works as the following:
Francis Bacon, Painting (1946)
Umberto Boccioni, The City Rises
Paul Cézanne, The Bather
Marc Chagall, I and the Village
Giorgio de Chirico, The Song of Love
Salvador Dalí, The Persistence of Memory
Max Ernst, 2 youngsters ar vulnerable by a Nightingale
Paul Paul Gauguin, Te aa no areois (The Seed of the Areoi)
Albert Gleizes, Portrait of Igor Stravinsky, 1914
Jasper Johns, Flag
Frida Kahlo, Self-Portrait With Cropped Hair
Roy Lichtenstein, Drowning Girl
René Magritte, The Empire of Lights
Kazimir Malevich, White on White 1918
Henri Matisse, The Dance
Jean Metzinger, Landscape, 1912–14
Piet Mondrian, Broadway Boogie-Woogie
Claude Monet, Water Lilies triptych
Barnett Newman, Broken Obelisk
Barnett Newman, Vir Heroicus Sublimis (Man, Heroic and Sublime)
Pablo Picasso, Les Demoiselles d'Avignon
Jackson Pollock, One: Number 31, 1950
Henri Rousseau, The Dream, 1910
Henri Rousseau, The Sleeping Gypsy
Vincent van Gogh, The Starry Night
Andy Warhol, Campbell's Soup Cans
Andrew Wyeth, Christina's World
·       Library
The MoMA library is found in Midtown Manhattan, with offsite storage in island town, Queens. The non-circulating assortment documents trendy and modern art together with painting, sculpture, prints, photography, film, performance, and architecture from 1880–present. The collection includes 300,000 books, 1,000 periodicals, and 40,000 files about artists and artistic groups. There ar over ten,000 creative person books within the assortment.[48] The libraries ar open by appointment to all or any researchers. The library's catalogue is called "Dadabase". Dadabase includes records for all of the material in the library, including books, artist books, exhibition catalogue, special collections materials, and electronic resources. The deposit of recent Art's assortment of creative person books includes works by erectile dysfunction Ruscha, Marcel Broodthaers, Susan Bee, Carl Andre, and David Horvitz.
·        Architecture and design
MoMA's Department of Architecture and Design was founded in 1932 as the first museum department in the world dedicated to the intersection of architecture and design.The department's first director was prince Johnson UN agency served as keeper between 1932–34 and 1946–54.
The collection consists of twenty eight,000 works together with branch of knowledge models, drawings and photographs.One of the highlights of the collection is the Mies van der Rohe Archive.It also includes works from such legendary architects and designers as Frank Lloyd Wright,Paul László, the Eameses, Isamu Noguchi, and George Nelson. The design assortment contains several industrial and made items, ranging from a self-aligning ball bearing to an entire Bell 47D1 helicopter. In 2012, the department noninheritable  a range of fourteen video games, the basis of an intended collection of 40 that is to range from Pac-Man (1980) to Minecraft (2011).
·       Management
·       Attendance
MoMA has seen its average number of visitors rise from about 1.5 million a year to 2.5 million after its new granite and glass renovation. In 2009, the deposit reported  119,000 members and 2.8 million visitors over the previous fiscal year. MoMA attracted its highest-ever range of tourists, 3.09 million, during its 2010 fiscal year; however, attendance dropped 11 percent to 2.8 million in 2011.Attendance in 2016 was 2.8 million, down from 3.1 million in 2015.

The deposit was open each day since its introduction in 1929, until 1975, when it closed one day a week (originally Wednesdays) to reduce operating expenses. In 2012, it once more opened each day, together with Tues, the in some unspecified time in the future it's historically been closed.
National September 11 Memorial & Museum

·        Introduction
The National 9-11 Memorial (also called the 9/11 Memorial & Museum) may be a memorial and depository in big apple town commemorative the 9-11, 2001 attacks, which killed 2,977 people, and the 1993 World Trade Center bombing, which killed six.The memorial is located at the World Trade Center site, the former location of the Twin Towers that were destroyed throughout the 9-11 attacks. It is operated by a non-profit establishment whose mission is to lift funds for, program, and operate the memorial and museum at the World Trade Center site.
A memorial was planned in the immediate aftermath of the attacks and destruction of the World Trade Center for the victims and those involved in rescue and recovery operations.The winner of the planet Trade Center web site Memorial Competition was Israeli designer Michael Arad of Handel Architects, a New York- and San Francisco-based firm. Arad worked with landscape-architecture firm Peter Walker and Partners on the look, creating a forest of swamp white oak trees with two square reflecting pools in the center marking where the dual Towers stood. In August 2006, the World Trade Center Memorial Foundation and the Port Authority of New York and New Jersey began heavy construction on the memorial and museum. the look is in step with the initial plan by Daniel Libeskind, which called for the memorial to be 30 feet (9.1 m) below street level—originally 70 feet (21 m)—in a plaza, and was the only finalist to disregard Libeskind's requirement that the buildings overhang the footprints of the Twin Towers. The World Trade Center Memorial Foundation was renamed the National 9-11 Memorial in 2007
·       Memorial
·        History
Formerly the planet Trade Center Memorial Foundation, the National 9-11 Memorial was fashioned as a 501(c)(3) non-profit corporation to lift funds and manage the memorial's designing and construction. Its board of directors met for the first time on January 4, 2005, and it reached its first-phase capital-fundraising goal ($350 million) in April 2008. This cash and extra funds raised are accustomed build the memorial and depository and endow the depository.
In 2003, the Lower Manhattan Development Corporation launched the planet Trade Center web site Memorial Competition, a world competition to style a memorial at the planet Trade Center web site to commemorate the lives lost on 9/11. Individuals and teams from around the world submitted design proposals. On November 19, 2003, the thirteen-member jury selected eight finalists. Reflecting Absence, designed by Michael Arad and Peter Walker, was chosen because the winning style on January 6, 2004. It consists of a field of trees interrupted by 2 giant, recessed pools, the footprints of the Twin Towers. The deciduous trees (swamp white oaks)are arranged in rows and form informal clusters, clearings and groves. The park is at street level, above the Memorial Museum. The names of the victims of the attacks (including those from the Pentagon, American Airlines Flight 77, United Airlines Flight 93, and the 1993 World Trade Center bombing) are inscribed on the parapets surrounding the waterfalls[in an arrangement of "meaningful adjacencies".A portion of the slurry wall originally designed to carry back the Hudson, about half of what Daniel Libeskind originally wanted to preserve, is maintained in the museum. On January fourteen, 2004, the final design for the World Trade Center site memorial was unveiled at a press conference in Federal Hall National Memorial.
·        Museum operation
General admission tickets to the repository square measure $24, a price which has raised concerns. Michael Bloomberg agreed, encouraging people to "write your congressman" for more federal funding.
When the museum opened to victim families and first responders on May 15, 2014, anger by some that it was profiting from souvenirs considered in poor taste was widely covered. Souvenir take would fund the depository and memorial. On May 29, 2014, a U.S.-shaped cheese platter was among items removed for sale, and it was announced that all items sold would be reviewed by victim families for suitability.
·        Other 9/11 memorials
Main article: Memorials and services for the 9-11 attacks
In addition to the one at Ground Zero, a number of other memorials have been built by communities across the United States. Many are built around remnants of steel from the Twin Towers which have been donated by a Port Authority of New York and New Jersey program; over 1,000 pieces of World Trade Center steel have been distributed
·        Withdrawn proposals
Two centers were projected and withdrawn from set upet|the globe} Trade Center Memorial plan in 2005:
The International Freedom Center – a think factory supposed to draw attention to battles for freedom throughout history. World Trade Center Memorial Foundation member Deborah Burlingame wrote in The Wall Street Journal that the center would have a mission with no direct connection to the events of September 11 and might criticize American policy. Right-wing blogs and commentators heavily criticized the center until Governor George Pataki withdrew support for it.

The Drawing Center room at the planet Trade Center – Associate in Nursing room that was in SoHo at the time.
Pakistan Museum of Natural History

·        Introduction
Pakistan depository of explanation (PMNH), established in 1976, maybe a public explanation deposit placed in Islamabad, the federal capital of Pakistan. It has exhibits and galleries that show and supply data regarding the ecology, earth science and paleontology of the country. Currently, the depository homes a group of over three hundred,000 objects The depository additionally acts as an inquiry center and works closely with the Lok Virsa depository. The deposit is receptive public every day, apart from Fri, from 10 am to 5 pm. The depository is managed by the Pakistan Science Foundation, beneath the Ministry of Science and Technology.
·        Exhibits and galleries
Biological gallery - displays and discusses wild flora and fauna, pictured in their several habitats.
Ecological gallery - an academic section wherever ecological cycles, habitats, and environmental issues square measure mentioned through visuals and audios.
Gemstones gallery - show a range of gems in-the-raw also as cut and polished forms.
Paleontology gallery - displays fossils alongside their studies. Anthropology is additionally mentioned through paintings and writings, as well as an os of genus Australopithecus. Wall paintings depict the pre-historic era.
Tethys gallery - provides info regarding oceanology, petrology, pedology, and geology of Pakistan. It displays a three-dimensional panorama of seascapes additionally as a skeleton of a whale. Different aspects of the salt vary are studied intimately.
Virtual Orientation Gallery - it permits guests to require virtual tours of all the higher than galleries while not truly walking around the entire depository. This new gallery was introduced in 2016.
·        Events

PMNH noninheritable an outsized shark that landed at Karachi Fish Harbour in 2012, consistent with PMNH. This whale shark had a length of 42 feet (13 m) and weighed 16 tonnes. Its liver weighed about 800 kg (1,800 lb), the stomach was about 600 kg (1,300 lb), and the ovary had a weight of 120 kg (260 lb) and had about 1500 eggs. The shark was seen on February 6, 2012, in the Gora Bari area, in the Pakistani territory of the Arabian Sea, by local fishermen.[citation needed] According to them, it was alive at that point however died before they started tracking it towards the ocean shore. The fish was delivered to Karachi Fish Harbour on February seven, 2012, and auctioned for Rs. 200,000. The auctioneer World Health Organization purchased the fish managed Associate in the Nursing exhibition of this specimen and levied a price tag of Rs. 20. The largest verified specimen of this immense shark was caught on Martinmas 1947, close to cake Island, in Karachi, Pakistan. It was 41.5 feet (12.6 m) long & 21.5 tonnes and had a girth (belt) of 23 feet (7.0 m)
Solomon R. Guggenheim

·        Introduction
Solomon Robert Guggenheim (February two, 1861 – Gregorian calendar month three, 1949) was Associate in Nursing yank man of affairs and art collector. He is best best-known for establishing the king R. Guggenheim Foundation and the Solomon R. Guggenheim Museum in New York City.
Born into a affluent mining family, Guggenheim based the Yukon Gold Company in Last Frontier, among other business interests. He began assembling art within the Nineties, and when warfare I, he retired from his business to pursue full-time art collecting. Eventually, beneath the steerage of creative person Hilla von Rebay, he targeted on the gathering of recent} and contemporary art, creating an important collection by the 1930s and opening his first museum in 1939. Members of the Guggenheim family got special monopoly rubber concessions within the Congolese empire of King Leopold II of European nation.
·        Biography
·        Early life
Guggenheim was born in Philadelphia, Pennsylvania, son of Meyer and Barbara Guggenheim and brother of Simon, Benjamin, Daniel and five other siblings. He was of Swiss and Ashkenazi Jewish ancestry.
Following studies in Switzerland at the Concordia Institute in Zürich, he came to the us to figure within the family mining business, later founding the Yukon Gold Company in Alaska. In 1891, he turned around the Compañia de la Gran Fundición Nacional Mexicana. He married Irene Rothschild, daughter of Victor Henry Rothschild, in 1895. His kids were Eleanor (1896–1992) (later girl Castle Stewart when her wedding to Arthur Stuart, seventh Earl Castle Stewart), Gertrude (1898–1966) and Barbara Guggenheim (1904–1985).
He began assembling works of the recent masters within the Eighteen Nineties. He retired from his business in 1919 to devote longer to art assembling and in 1926, met creative person Hilla Rebay. In 1930, they visited Wassily Kandinsky’s studio in Dessau, Germany, and Guggenheim began to get Kandinsky's work. The same year, Guggenheim began to show the gathering to the general public at his housing within the Plaza edifice in big apple town. Guggenheim's purchases continuing with the works of Rudolf Bauer, Chagall, Leger and László Moholy-Nagy.
·        Foundation and museum
In 1937, Guggenheim established the Solomon R. Guggenheim Foundation to foster the appreciation of recent art, and in 1939, he and his art advisor, artist Baroness Hilla von Rebay, opened a venue for the display of his collection, the Museum of Non-Objective Painting, at 24 East 54th Street. Under Rebay's steerage, Guggenheim wanted to incorporate within the assortment the foremost vital samples of non-objective art out there at the time, such as Kandinsky's Composition 8 (1923), Léger's Contrast of Forms (1913) and Robert Delaunay's Simultaneous Windows (2nd Motif, 1st Part) (1912).
By the first Nineteen Forties, the deposit had accumulated such an oversized assortment of avant-garde paintings that the requirement for a permanent building to accommodate the aggregation had become apparent. In 1943, Guggenheim and Rebay commissioned designer Frank Harold Lloyd Wright to style a replacement deposit building. In 1948, the gathering was greatly expanded  through the acquisition of trader Karl Nierendorf's estate of some 730 objects, notably German expressionist paintings. By that point, the museum's collection included a broad spectrum of expressionist and surrealist works, including paintings by Paul Klee, Oskar Kokoschka and Joan Miró.
Guggenheim died in 1949 on island, New York, and the museum was renamed the Solomon R. Guggenheim Museum in 1952. The depository opened in big apple town on Oct twenty one, 1959.
·        Legacy

In addition to the the big apple deposit, the Guggenheim Foundation operates, among alternative things, the Guggenheim deposit Bilbao in Kingdom of Spain and therefore the Peggy Guggenheim assortment in Venice, that was established by Guggenheim's niece, Peggy Guggenheim.
British Museum

·        Introduction
The British deposit, within the Bloomsbury space of London, uk, could be a public establishment dedicated to human history, art and culture. Its permanent assortment of some eight million works is among the most important and most comprehensive existing, having been wide sourced throughout the age of the British Empire. It documents the story of human culture from its beginnings to the current.[a] it absolutely was the primary public national depository within the world.
The British deposit was established in 1753, mostly supported the collections of Irish doctor and man of science Sir Hans Sloane. It 1st opened to the general public in 1759, in Montagu House, on the positioning of the present building. Its growth over the subsequent 250 years was mostly a results of increasing British colonization and has resulted within the creation of many branch establishments, the primary being the Natural History Museum in 1881.
·       History
Sir Hans SloaneAlthough today principally a museum of cultural art objects and antiquities, the British Museum was founded as a "universal museum". Its foundations consist the need of Irish people doctor and naturalist Sir Hans Sloane (1660–1753), a London-based doctor and man of science from Ulster. During the course of his lifespan, and significantly once he married the widow of a affluent Jamaican planter,[8] Sloane gathered an oversized assortment of curiosities and, not wishing to see his assortment choppy once death, he bequeathed it to King King of England, for the state, for a sum of £20,000
·       Foundation (1753)
On seven Gregorian calendar month 1753, King King of England gave his Royal Assent to the Act of Parliament that established British people deposit.[b] country deposit Act 1753 additionally added  2 different libraries to the Sloane collection, namely the Cottonian Library, assembled by Sir Robert Cotton, dating back to Elizabethan times, and the Harleian Library, the collection of the Earls of Oxford. They were joined in 1757 by the "Old Royal Library", currently the Royal manuscripts, assembled by varied British monarchs. Together these four "foundation collections" enclosed several of the foremost cherished books currently within the British Library as well as the Lindisfarne Gospels and also the sole living manuscript of character.
·       Cabinet of curiosities (1753–1778)
The body of trustees selected a reborn 17th-century mansion, Montagu House, as a location for the deposit, that it bought from the Montagu family for £20,000. The trustees rejected Buckingham House, on the location currently occupied by a palace, on the grounds of cost and the unsuitability of its location.[16][d]
With the acquisition of Montagu House, the primary exhibition galleries and room for students opened on fifteen January 1759. At this point, the most important elements of assortment were the library, that took up the bulk of the rooms on the bottom floor of Montagu House and therefore the explanation objects, that took up a whole wing on the second state story of the building. In 1763, the trustees of British deposit, under the influence of Peter Collinson and William Watson, employed the former student of Carl Linnaeus, Daniel Solander to reclassify the natural history assortment consistent with the botanist system, thereby creating the deposit a public centre of learning accessible to the total vary of European natural historians
·       Indolence and energy (1778–1800)
From 1778, a show of objects from the South Seas brought back from the round-the-world voyages of Captain James Cook and also the travels of different explorers fascinated guests with a glimpse of previously unknown lands. The gift of a set of books, etched gems, coins, prints and drawings by Clayton Mordaunt Cracherode in 1800 did much to raise the museum's reputation; but Montagu House became progressively huddled and decrepit and it absolutely was apparent that it might be unable to address additional enlargement.
·       Growth and change (1800–1825)
In the early nineteenth century the foundations for the intensive assortment of sculpture began to be set and Greek, Roman and Egyptian artifacts dominated the antiquities displays. After the defeat of the French campaign within the Battle of the Nile River, in 1801, British deposit noninheritable additional Egyptian sculptures and in 1802 King King of England bestowed the lettering – key to the deciphering of hieroglyphs. Gifts and purchases from Henry Salt, British diplomat general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, set the foundations of the gathering of Egyptian Monumental Sculpture. Many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1806, Thomas Bruce, seventh Earl of Elgin, ambassador to the Ottoman Empire from 1799 to 1803 removed the large collection of marble sculptures from the Parthenon, on the Acropolis in Athens and transferred them to the united kingdom. In 1816 these masterpieces of western art, were noninheritable  by British deposit by Act of Parliament and deposited within the deposit thenceforth.

The largest building site in Europe (1825–1850)